新闻资讯

位置:首页>新闻资讯>新闻公告

新闻资讯

北京国际电影节·第28届大学生电影节

第二届国际青年学者论坛

征稿启事

 

主办单位:

北京国际电影节·第28届大学生电影节组委会

北京师范大学艺术与传媒学院

《当代电影》杂志社

 

其他学术支持单位:

《电影评介》

《电影新作》

 

一、论坛意义与主题

1. 论坛意义

国际青年学者论坛是北京国际电影节·第28届大学生电影节的重要环节,也是国际青年电影研究及媒介研究学者分享学术成果、交流学术思想的平台。论坛聚焦于青年学者的学术思辨,旨在搭建青年学者分享学术观点的平台。

2. 论坛主题

论坛以“电影研究新方法、新路径、新范式”为主题,下设四个分论坛,诚邀国内外青年学者进行深度探讨。

在当下,电影在数字技术、媒介融合、产业转型的背景下发生变化,媒介载体与电影的交流形式不断丰富,而影像、空间、时间、介质、符号等作为电影研究领域中的基本概念,也随之呈现出日新月异的态势。因此,在电影研究中,电影本身已不是唯一的研究对象,而亟待更多学科交叉、理论交叉的全新视角和路径,去考察电影和它现在所处的媒介环境和生态。“电影研究新方法、新路径、新范式”鼓励青年学者本着开放的态度,以青年身份思考当前学界前沿的理论及实践问题,守正创新,提出新锐观点,重顾经典理论。在电影理论的回溯与反思、媒介的考古与推新、电影文本的创作与内涵等方面,拓展研究视角与方法,提出新鲜的学术论点和思考。

 

二、分论坛题引

1. 技术变革与电影本体美学转向

从电影诞生至今,每个阶段都伴随着技术美学变革。技术的发展是电影业革新发展的长足动力,在电影制作、放映以及观影过程中,技术发展的影响总是显而易见的。电影研究的技术美学维度建构、虚拟现实趋势与新美学等,都在探讨着电影技术与电影文本、电影美学、电影市场的破界与融合,也在探寻着技术与电影之间的关系,梳理着其美学蕴涵和审美特征,这正是当下值得研究和关注的问题。欢迎广大青年学者持守理性审思的态度,在技术与电影之间找到相应的平衡点,促进电影艺术的蓬勃发展。

2. 媒介融合与电影的跨媒介叙事

在各种媒介多元一体的潮流下,新旧媒介相互转换和融合,推动电影走向转型。电影打破不同媒介壁垒,开始以一种开放的姿态与其他媒介形式积极融合,在电影创作、产业发展和文本内文化价值方面都进行了一系列创新,如交互电影的独特叙事,桌面电影的新审美意义等。在强大包容性的媒体融合下,电影能承载更加丰富的内容和更加创新的形式,对接多空间多媒介的受众。我们欢迎青年学者以多维视野重新审视媒介融合下的电影,分析电影未来创作的更多可能性。

3. 数字人文与电影研究

在数字时代的背景下,“数字”与“人文”逐渐融合为一种新的思维视野。以数字为工具,以人文为基点的研究也逐渐在电影研究领域崭露头角。算法思维、大数据思维等数字定量研究方法更多地与传统的电影史论研究、电影作者风格研究、电影视听语言分析相结合,塑造可量化的电影“数据库”,使得传统电影研究呈现出更加理性严谨的新面貌,重新建构电影学术研究的新范式。这一领域的研究热度近年逐渐升温,在电影研究与电影史研究中发生了重叠创新,在广度和深度上也增加了对人文学科研究内容的认知。论坛鼓励青年学者尝试拓展电影研究思维,综合学理性与创造性,以数字人文角度切入电影研究。

4. 自设议题

在以上议题外,我们也欢迎青年学者围绕近年来中国电影发展中的其他现象及前沿问题展开思考与研究,鼓励从跨学科的角度思考电影电影研究新方法、新路径、新范式。在传统理论框架外提出新锐理论架构、发表前沿观点,为电影批评与理论领域注入新鲜活力。

 

三、报名须知

我们邀请在国内外高校及研究机构就职的青年学者(年龄为45岁以下)、在站博士后及在读博士生、在读硕士生踊跃投稿参会。

请投稿者如实填写附件中的参会报名表,并同时提交800-1000字的投稿论文摘要,于北京时间2021年3月1日24:00之前以电子邮件的形式发送到邮箱qnlt28@163.com。同一申请人以第一作者身份最多可报名两个分论坛。

初评将遴选约45-50篇优秀论文摘要,并发送邮件通知投稿者。

正文应以中文或英文形式撰写,中文字数不低于8000字,英文字数不低于6000字。论文应包含中英文标题、作者简介(150字以内)、中英文摘要、关键词、正文及参考文献。正文截止日期及会议日期组委会将另行通知。

摘要初评和终评均采用盲审的方式,初审评审团由优秀青年学者组成,终审评审团由各位专家组成。受新冠肺炎疫情影响,论坛将配合北京防疫政策及规定采用线上线下结合的方式举办。

 

四、格式要求

1. 中文标题应采用宋体三号加粗居中,英文标题应采用Times New Roman, 14号加粗居中。

2. 最终提交的完整论文中,论文摘要原则上不超过500字;关键词不超过5个,以分号分隔。中文论文的全文字数不低于8000字,英文论文的全文字数不低于6000字(不含参考文献)。

3. 对于中文论文,正文应采用宋体五号字。一级标题写作 “一”, 宋体小四加粗,左对齐并缩进2个汉字字节;二级标题写作 “(一)”, 宋体小四加粗,左对齐并缩进2个汉字字节;三级标题写作 “3.”, 宋体小四,左对齐并缩进2个汉字字节。注释引用请按照《北京大学学报》(哲学社会科学版)要求采用分页脚注及注释。

4. 对于英文论文,正文应采用Times New Roman, 12号字。标题及引用格式请按照MLA, APA 或 Chicago格式进行撰写,请在上述格式中选择其一,全文统一。 格式规范请参考https://owl.purdue.edu/owl/research_and_citation/resources.html

 

五、投稿邮箱及联络人

邮箱:qnlt28@163.com

联络人:王敉果 18865467171

        刘健榕 18811793606

        周思宏 15822878860

 

报名表获取方式:

1.公邮:dayingjie28@163.com 密码:28dayingjie

2.百度网盘链接 :

https://pan.baidu.com/s/1NkRBsD_H5DPvSYobi94YMw  密码:facq

3.官网下载 :

http://www.bcsff.cn

 

Beijing International Film Festival·The 28th College Student Film Festival

The 2nd International Young Scholars Conference

Call for Paper

 

Organizers: 

Organizing Committee of Beijing International Film Festival·The 28th College Student Film Festival

School of Arts and Communication, Beijing Normal University

Contemporary Cinema

 

Academic support: 

Movie Review

New Films

 

1. Conference Info

The International Young Scholars Conference is an important part of the Beijing International Film Festival·The 28th College Student Film Festival. The Conference focuses on the academic speculations of fresh young scholars, and aims to build a platform to encourage young scholars to share academic views, promote the exchange of young people in the field of film academics, and also promote the thought communication between senior scholars and young scholars. The theme of the forum is " Updating Methods, Approaches and Paradigms of Film Studies ". There are four sub forums under which young scholars at home and abroad are invited to conduct in-depth discussions.

Digital technology, media carriers and cultural trends have developed rapidly, and the forms of exchanges and cooperation with films have been continuously enriched, showing a trend of rapid changes. Under the background of digital technology, media convergence and industrial transformation, many basic concepts in the field of film research, such as image, space, time, medium and symbol, may have changed. Therefore, in the study of film, film may not be the only research object. We need more interdisciplinary and theoretical perspectives and paths to study film and its media environment and ecology. The  " Updating Methods, Approaches and Paradigms of Film Studies " encourages young scholars to think about the frontier theoretical and practical issues of the current academic circle with an open attitude, maintain integrity and innovation, put forward cutting-edge viewpoints, and revisit classic theories. In the review and reflection of the film theory, the archaeology and innovation of the media, the creation and connotation of the film text and so on, expand the research perspective and method, put forward the fresh academic arguments and thoughts.

 

2. Panel Info

Technological Change and the Aesthetic Turn of Film Ontology

Since the birth of the film, every stage has been accompanied with technological and aesthetic changes. The development of technology is the great driving force for the innovation and development of the film industry. The influence of technology development is always obvious in the process of film production, projection and viewing.The construction of technical aesthetics dimensions, virtual reality trends, and new aesthetics in film research are all exploring the breaking and fusion of film technology, film text, film aesthetics, and the film market. They are also exploring the relationship between technology and film and combing its aesthetic implication and aesthetic characteristics. This is a problem worthy of research and attention at the moment. Young scholars are welcome to maintain a rational and deliberative attitude, find a corresponding balance between technology and film, and promote the vigorous development of film art.

 

Media Convergence and Transmedia Storytelling of Films

Under the trend of pluralistic integration of various media, the conversion and integration of old and new media has promoted the transformation of the film. The film breaks the barriers of different media, and begins to actively integrate with other media in an open attitude. A series of innovations have been made in film creation, industrial development and cultural value within the text, such as the unique narrative of the Interactive Film and the new aesthetic meaning of Desktop Film. With strong and inclusive media integration, the film can carry richer content and more innovative forms, connecting audiences with multiple spaces and multiple media. We welcome young scholars to re-examine the film under the condition of media convergence from a multi-dimensional perspective and analyze more possibilities of film creation in the future.

 

Digital Humanities and Film Research

In the context of the digital age, "digital" and "humanities" began to break down barriers and gradually merged into a new vision of thinking. Research with numbers as tools and humanities as the basis has gradually emerged in the field of film research. Digital quantitative research methods such as algorithm thinking and big data thinking are more integrated with traditional film history research, research on film author style, and film audiovisual language analysis to create a quantifiable film "database". This makes traditional film research present a more rational and rigorous new look, and reconstructs a new paradigm for film academic research. The research enthusiasm in this field has gradually increased in recent years. Overlapping innovations have occurred in film research and film history research, and the understanding of the content of humanities research has also increased in breadth and depth. The forum encourages young scholars to try to expand film research thinking, integrate academic rationality and creativity, and cut into film research from a digital humanistic perspective.

 

Optional Topic

In addition to the above topics, we also welcome young scholars to think and study other phenomena and front problems in the development of Chinese film in recent years, and encourage interdisciplinary thinking about the relationship between film and other disciplines. We fully encourage young scholars to propose cutting-edge theoretical frameworks and publish front opinions outside the traditional theoretical framework, injecting fresh vitality into the field of film criticism and theory.

 

3. Application Instructions

We call for submissions from young scholars (under age 45), post-doctors, doctoral students and postgraduate students worldwide. Applicants should have educational expe-rience in relevant academic areas. Applicants should have the corresponding subject background and have good English listening and speaking skills.

The deadline for proposal sub-mission is March 1, 2021 (24:00 UTC+8). Please send the proposal (800-1000 words) as well as the application form  (please see attached) via e-mail to: qnlt28@163.com. The same first author or correspondent author should only submit manuscripts to two different panels at most. 

After the review session, the conference committee will inform the acceptance of 45-50 manuscripts by email. The deadline of the text and the date of the meeting will be notified by the organizing committee.

The full manuscript should include:

1) Full paper no less than 6000 words,

2) Short bio of author(s) within 150 words,

3) Paper abstract, keywords,

4) Bibliography and appendix (if applicable).

 

Both the initial and final reviews of the abstract adopt a blind review method. The initial review panel is composed of outstanding young scholars, and the final review panel is composed of experts. The reviewers will be present to comment.

 

Depending on the situation of the epidemic, if the movement of people needs to be strictly controlled by then, the Conference will cooperate with Beijing's epidemic prevention policies and regulations to conduct academic discussions through online meetings.

 

4. Format Instruction

The manuscript should be written in either MLA, APA or Chicago format. Please refer to :

https://owl.purdue.edu/owl/research_and_citation/resources.html for more information.

 

5. Contact

E-mail: qnlt28@163.com

Wang Miguo 王敉果: (+86) 18865467171

Liu Jianrong 刘健榕: (+86) 18811793606

Zhou Sihong 周思宏: (+86) 15822878860

 

Download the application form

1. Public email: dayingjie28@163.com  

Password: 28dayingjie

2.Baidu Netdisk link :

https://pan.baidu.com/s/1NkRBsD_H5DPvSYobi94YMw Password:facq

3. Enter the official website to download:

http://www.bcsff.cn

 

 

附件:北京国际电影节·第28届大学生电影节国际青年学者论坛报名表